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You can buy the best converters in the world and the most esoteric plugins, but if your speakers are positioned poorly, you are mixing blind. Or rather, deaf. I often see home studios packed with incredible gear where the monitors are just placed randomly on the desk, maybe one further forward and the other further back. Then, when the mix sounds unbalanced or lacks bass in the car, people blame the software or the audio interface. I'm not going to tell you I have a magic wan

If you work in audio production, you know consistency is everything. Having a sound that satisfies you in the studio mix and doesn't betray you when you're in front of an audience for a masterclass or workshop isn't just a convenience: it's an absolute necessity to work well. In recent months, I updated the Room B setup at VDSS Studio by introducing the Universal Audio Apollo x8 Gen 2. Having become the nerve center of the room, it naturally took its place as the main interfa

Let's be clear: the world of DAW controllers is full of half-promises. They sell us the dream of mixing "like on an analog console", but we often end up staring at the screen even more, wasting time mapping parameters. After waiting for the initial hype to die down, I thoroughly tested the Softube Console 1 MkIII here in my studio. I wanted to see if the issues of the older generations had actually been fixed. 📌 What is the Softube Console 1 MkIII? (Quick Summary) It's a pre